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A backlit view of Titan and Saturn's rings, taken by
Cassini.
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I read a lot of SF; in my experience, many scientists do (a surprising
number actually write it!). Here's a rather random list of
interesting authors, with some links. Mostly they're people whose
books I like, but I've let one or two others in for completeness, as
it were. They are all books: if your interest in SF centres
round films or TV, you won't find anything to interest you here.
- Neal Asher
- I don't like his politics, and this does affect some of his writing
("The Owner" series in particular), but I do like the Line of Polity
books, which take place in a society which is very similar to Iain Banks'
Culture (mixed human/AI society), but much less utopian (its own motives are
a bit suspect, and it's at war with some very nasty aliens). Very inventive as
regards alien ecosystems. The link is to a blog, but the
obvious website is basically dead: the
homepage is still there, but the links don't go anywhere.
- Iain Banks (1954-2013)
- Not completely reliable (Song of Stone, ugh; Feersum
Endjinn, yuk) but usually immensely entertaining, whether writing
space opera as Iain M. Banks or straight fiction (allegedly, though
several have strong SF/fantasy elements) without the M. Not one to
learn your science from, but who cares? Sadly missed.
- John Barnes
- Haven't read much of his, but what I have read has been well
thought out. His essay "How to Build a Future", in his anthology
Apocalypses and Apostrophes, is an interesting inside story on
how he develops the backgrounds for his books. Like Reynolds, willing
to tackle the consequences of interstellar colonisation without
faster-than-light travel.
- Stephen Baxter
- I feel he 'ought' to be here, but to be honest I don't like his
books much, especially the alternate-history-of-the-space-race ones,
which have an unendearing combination of excessive detail ("I read up
on this, so damn it you are going to learn it too"), characters out of
Central Casting, and too many telegraphed plot points. But I know I'm
in a minority here.
- Gregory Benford
- Genuine astronomer, working on the Galactic centre. Some of his
books, particularly Cosm, draw very strongly on his background
as a university researcher, and even those that don't have a ring of
authority in the background: here's someone who knows what he's
talking about. No web site that I could find, except his professional
one as an astrophysicist!
- Lois McMaster Bujold
- Author of a long-running SF series starring Miles Vorkosigan,
aristocratic scion of a near-royal family on the planet Barrayar and
(rather accidentally) admiral of the Dendarii Free Mercenaries.
Despite this over-brief synopsis, the stories are quite hard SF (FTL
travel by wormhole, one of the less farfetched dodges; sensible
technology; societies that have been thought through). Has also written
some fine fantasy. She likes damaged heroes: Miles is physically handicapped as a
result of his mother's being exposed to poisonous chemicals (in a
botched assassination attempt) while pregnant; Lupe dy Cazaril, hero
of one of the fantasy books, carries physical and mental scars
from several years as a galley slave. This sounds a bit grim, but it
isn't – the characters are well-rounded and the books shot through
with humour. I have the feeling she's a lot better known in the US
than the UK. Highly recommended.
- C.J. Cherryh
- OK, agreed, she has one plot and she sticks to it: naive young
hero, plunged into the middle of alien intrigue about which he knows
nothing, but in which he is for some reason crucial, has to figure out
what's going on and develop understanding of alien society in order to
resolve crisis. Applies equally well to fantasy and science fiction.
But she is good at alien societies and her characters are interesting
(unlike Baxter's). The site is somewhat out-of-date, and to my taste
over-full of fancy fonts.
- Hal
Clement (1922-2003)
- The classic hard science fiction writer. Harvard astronomy
graduate and former schoolteacher. Very good indeed at alien
environments and alien biology – Mission of Gravity is the
all-time classic in SF world-building – not quite so good at alien
characterisation. All his characters, whether human or alien, tend to
act disconcertingly like Mr Spock: they never panic for more than half
a second and they always reason things out logically. I don't think
people work that way in the real world (pity). Also, you do
occasionally feel that plot incidents have been engineered
deliberately to introduce some interesting snippet of physics or
chemistry – is this the result of a teaching career?
- Greg Egan
- Australian, trained I believe as a mathematician, with a
fascination for the more esoteric edges of theoretical physics, around
which he builds his plots. Some of these must be hard going for
non-physicists! I think he's the best contemporary hard science
fiction writer, but he does make you work: he's produced books based
on the collapse of the wavefunction in quantum theory, the search for
a grand unified theory of particle physics, and the structure of the
vacuum, among other things. He manages to weave this into decent
plots, too. The site has a lot of real science in it.
- Mary Gentle
- Pigeonholed as a fantasy writer, but some of her books are straight
science fiction and a couple (the best, in my view) are largely
straight historical novels. The SF novels are reminiscent of LeGuin,
with similar interests (gender roles, society) and similar weaknesses
("aliens" that are just humans with exotic make-up, a la Star Trek),
but not (in my view anyway) as well written. The history novels
(Ash and 1610), on the other hand, are excellent:
meticulously researched, tightly plotted and well written. Ash
has a pure SF sting in its tail, but 1610 is practically a pure
historical novel apart from one of its central assumptions (that the
mathematical astrology of the late 16th/early 17th century actually
worked - yes, this is SF, or perhaps more accurately fantasy, but just
think how many mainstream historical novels include miracles or
"second sight" in their plot elements). Both these are long books,
and 1610 in particular takes a very long time to get going, but
worth persevering with.
- William Gibson
- Has to be here, as the inventor of cyberpunk. Sufficiently
influential and often-imitated that it can be hard to remember how
novel Neuromancer was when it first appeared. (Would we have
had The Matrix without it?) Genuinely a very fine writer, who
might well win awards in mainstream fiction if he wasn't pigeonholed
as an SF author.
- Fred Hoyle (1915-2001)
- Enormously important and influential theoretical astrophysicist:
he's best known as co-inventor of the ill-fated Steady State
cosmology, and (sadly) in his latter years for various daft ideas
including "flu from space" and "Archaeopteryx is a hoax", but he
should be remembered as the driving force behind the understanding of
stellar nucleosynthesis in the late 1950s. He wrote a number of
science fiction novels: the best remembered is The Black Cloud,
in which an interstellar dust cloud drifting into the solar system
turns out to be an intelligent entity. The Black Cloud is
rock-hard SF and remarkably prescient in some of its ideas; it's still
worth reading today.
- Gwyneth Jones
- Interesting and hard to classify. In the mid 90s, wrote a trilogy
(White Queen/North Wind/Phoenix Cafe) about human/alien
interactions, definitely SF, strongly reminiscent of Ursula LeGuin in
its preoccupation with gender roles. Her more recent and best-known sequence
(starting with Bold As Love) is less easily pigeonholed:
its characters are mostly rock musicians, it's set in the
near future, it has strong fantasy elements, especially in
Castles Made of Sand. Bold As Love won the Arthur C. Clarke Award,
so someone thinks it's science fiction! Personally I'm not convinced,
but I do think it's very good: strong plot, some fine writing, and
excellent characterisation.
- Ken MacLeod
- Friend of Iain Banks, and there are some similarities of style,
but definitely more of a hard SF writer. Interested in politics (I
don't mean he's standing for Parliament, I mean that the books lay
considerable emphasis on political systems!). Shortlisted for the
Clarke several times: seems a much more natural choice than Gwyneth
Jones, though now I think about it there are many similarities between
his future-Scotland in Cosmonaut Keep and Jones' England in
Bold As Love. Website's actually Wikipedia, but more
useful than his own blog, which is mostly politics.
- K.J. Parker
- Fantasy for people who don't like fantasy: totally free of all the
standard cliches. Very distinctive writing style, laced with cheerful
cynicism and very black humour. He has written three trilogies
(as KJ Parker – apparently this is a pseudonym of
Tom Holt,
who's a prolific author under his own name), set in different worlds but
very similar in style. Got very mixed reviews on Amazon, which doesn't
surprise me in the least: most fantasy has fairytale in its immediate
ancestry, but this seems to me to echo (consciously or unconsciously)
Greek tragedy – basically decent characters doing unspeakable things
in the name of family honour or predestined fate, or in this case a
bit of both. I think many people who like hard SF will like this: it
has the same feel of verisimilitude and the same interest in
technology (the technology of the sixth century rather than the 21st,
admittedly). He says he's actually made bows and armour himself, and
it shows.
- Alastair
Reynolds
- Astronomer who worked at ESA till 2004 (now full-time writer).
One of the very few SF authors working on an interstellar canvas who
choose to stick with Einstein and settle for slower-than-light space
travel (Barnes does this too, and MacLeod almost does). His first
novel, Revelation Space, was a bit derivative: there were
echoes of Banks and MacLeod, and one episode that makes it very
difficult to believe that he hasn't seen John Carpenter's Dark
Star; since then, he's developed much more of his own voice.
The Poseidon's Children sequence (starting with Blue Remembered Earth)
is noteworthy for having an African family as protagonists – refreshing in a
field that tends to be rather white and male (characters even more than practitioners!).
The web site is up-to-date and includes some stories to
download (it's also free of the annoying advertising pop-ups that his
previous web page suffered from).
- John Scalzi
- The books I've read are mostly military space opera, but not too hung up on
gory battle scenes, and some interesting ideas and characters.
The multi-award-winning Redshirts is an entertaining spoof of science-fiction
TV series (most obviously the original Star Trek), in which the lower-ranking
crew members of a starship start realising that being picked to go on away missions
with the captain and first officer is surprisingly bad for your life expectancy...
The Whatever blog has a lot of guest entries, with other SF authors
discussing their work: quite interesting.
- Charles Stross
- Another of the
Scottish school of space-opera composers (cf. Banks and MacLeod), and
there are some similarities of style and approach: if you like MacLeod
you will definitely like Stross, and if the politics puts you off
MacLeod you'll still like Stross (I think his actual views might not
be all that dissimilar, but they don't pervade his fiction). Besides
the hard SF, also in the middle of an extended parallel-worlds series
which he describes as "fantasy novel[s], for rather odd values of fantasy"
(since the parallel-worlds concept appears in both fantasy and SF, I guess
what makes these books fantasy is that the parallel worlds are not
technologically advanced: the usual "add magic and subtract the laws of
physics" definition of fantasy certainly doesn't apply), and the Laundry Files, a highly
entertaining set of spy-novel pastiches based on the assumption
that magic works, and that HM Govt has a branch of MI5 that deals
with it.
The main website, a blog,
is entertaining and includes some free downloads and occasional competitions
(which I mention since I actually won one of them!).
- Vernor Vinge
- Another career scientist, ex-professor at UCSD. Very limited
output, probably because it was never his main job. Cites Poul
Anderson as an influence, and unfortunately often seems to share his
less than classic prose style and unattractive politics. But worth it
for his very good aliens, especially the group-mind Tines in A Fire
Upon the Deep.
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